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The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign.
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In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance.
In 1409, a hospital was founded and placed under the patronage of Santa Maria dels Innocents; to this was attached a confraternity devoted to recovering the bodies of the unfriended dead in the city and within a radius of 5 km (3.1 mi) around it. At the end of the 15th century this confraternity sitio web separated from the hospital, and continued its work under the name of "Cofradia para el ámparo de los desamparados". King Philip IV of Spain and the Duke of Arcos suggested the building of the new chapel, and in 1647 the Viceroy, Conde de Oropesa, who had been preserved from the bubonic plague, insisted on carrying out their project.
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The economy began to recover in the early 1960s, and the city experienced explosive population growth through immigration spurred by the jobs created with the implementation of major urban projects and infrastructure improvements.
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The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Palau. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and sitio web redecorated the walls.
Calatrava is also responsible for the bridge named after him in the centre of the city. The Palau de la Música de València (Music Palace) is another noteworthy example of modern architecture in Valencia.